Pesquisando por: "JOSEPH MALLORD WILLIAM TURNER" - Fotoarena - Agência de fotojornalismo

42599023 Joseph Mallord William Turner, R.A. (1775?1851)Depositing of John Bellini?s Three Pictures in La Chiesa Redentore, Venice oil on canvas 29 x 45½ in. (73.7 x 115.6 cm.) Painted in 1841 Estimate: $28,000,000-35,000,000 hanging on the wall at Visionary: The Paul G. Allen Collection presented at Christie?s New York Galleries in Rockefeller Center in New York, NY on Nov. 8, 2022. The auction is set to take place Nov 9-10, 2022 and it has been valued in excess of $1 billion. The collection of philanthropist Paul G. Allen, co-founder of Microsoft, includes more than 150 masterpieces spanning 500 years of art history. All proceeds will go to philanthropy. Photo Credit: TJ Roth/ Sipa USA/ Fotoarena

42457936 National gallery staff members view British artist Joseph Mallord William Turner's (also known as William Turner) 'Cologne, the Arrival of a Packet-Boat: Evening, exhibited 1826' painting on display at the National Gallery in central London. The Turner on Tour exhibition will take place at the National Gallery from 3 November 2022 to 19 February 2023. Photo Credit: Steve Taylor / SOPA Images/ Sipa / Fotoarena

42457939 A National gallery staff member views British artist Joseph Mallord William Turner's (also known as William Turner) Harbour of Dieppe: Changement de Domicile painting on display at the National Gallery in central London. The Turner on Tour exhibition will take place at the National Gallery from 3 November 2022 to 19 February 2023. Photo Credit: Steve Taylor / SOPA Images/ Sipa / Fotoarena

42457929 A National gallery staff member views British artist Joseph Mallord William Turner's (also known as William Turner) Harbour of Dieppe: Changement de Domicile painting on display at the National Gallery in central London. The Turner on Tour exhibition will take place at the National Gallery from 3 November 2022 to 19 February 2023. Photo Credit: Steve Taylor / SOPA Images/ Sipa / Fotoarena

42457933 A National gallery staff member views British artist Joseph Mallord William Turner's (also known as William Turner) Harbour of Dieppe: Changement de Domicile and Cologne, the Arrival of a Packet-Boat: Evening paintings on display at the National Gallery in central London. The Turner on Tour exhibition will take place at the National Gallery from 3 November 2022 to 19 February 2023. Photo Credit: Steve Taylor / SOPA Images/ Sipa / Fotoarena

42457932 A National gallery staff member views British artist Joseph Mallord William Turner's (also known as William Turner) 'Cologne, the Arrival of a Packet-Boat: Evening, exhibited 1826' painting on display at the National Gallery in central London. The Turner on Tour exhibition will take place at the National Gallery from 3 November 2022 to 19 February 2023. Photo Credit: Steve Taylor / SOPA Images/ Sipa / Fotoarena

42457937 A National gallery staff member views British artist Joseph Mallord William Turner's (also known as William Turner) 'Cologne, the Arrival of a Packet-Boat: Evening, exhibited 1826' painting on display at the National Gallery in central London. The Turner on Tour exhibition will take place at the National Gallery from 3 November 2022 to 19 February 2023. Photo Credit: Steve Taylor / SOPA Images/ Sipa / Fotoarena

42457931 A National gallery staff member views British artist Joseph Mallord William Turner's (also known as William Turner) 'Cologne, the Arrival of a Packet-Boat: Evening, exhibited 1826' painting on display at the National Gallery in central London. The Turner on Tour exhibition will take place at the National Gallery from 3 November 2022 to 19 February 2023. Photo Credit: Steve Taylor / SOPA Images/ Sipa / Fotoarena

42457934 A National gallery staff member views British artist Joseph Mallord William Turner's (also known as William Turner) Harbour of Dieppe: Changement de Domicile and Cologne, the Arrival of a Packet-Boat: Evening paintings on display at the National Gallery in central London. The Turner on Tour exhibition will take place at the National Gallery from 3 November 2022 to 19 February 2023. Photo Credit: Steve Taylor / SOPA Images/ Sipa / Fotoarena

42457935 A National gallery staff member views British artist Joseph Mallord William Turner's (also known as William Turner) Harbour of Dieppe: Changement de Domicile painting on display at the National Gallery in central London. The Turner on Tour exhibition will take place at the National Gallery from 3 November 2022 to 19 February 2023. Photo Credit: Steve Taylor / SOPA Images/ Sipa / Fotoarena

42457930 A National gallery staff member views British artist Joseph Mallord William Turner's (also known as William Turner) Harbour of Dieppe: Changement de Domicile and Cologne, the Arrival of a Packet-Boat: Evening paintings on display at the National Gallery in central London. The Turner on Tour exhibition will take place at the National Gallery from 3 November 2022 to 19 February 2023. Photo Credit: Steve Taylor / SOPA Images/ Sipa / Fotoarena

42457940 A National gallery staff member views British artist Joseph Mallord William Turner's (also known as William Turner) Harbour of Dieppe: Changement de Domicile painting on display at the National Gallery in central London. The Turner on Tour exhibition will take place at the National Gallery from 3 November 2022 to 19 February 2023. Photo Credit: Steve Taylor / SOPA Images/ Sipa / Fotoarena

1035_06_706035 Dramatic Seascape, Turner, Joseph Mallord William

902_05_12288339HighRes Joseph Mallord William Turner, 1775?1851. English Romantic landscape painter, watercolourist and printmaker. From Bibby's Annual published 1910.

902_05_12310467HighRes J.M.W. Turner. Joseph Mallord William Turner, 1775 - 1851. English Romanticist landscape painter. From The Century Edition of Cassell's History of England, published c. 1900

908_06_LR5002179 Quillebeuf, mouth of the Seine

908_06_LR5002178 The fighting Temeraire

alb5080546 The Acropolis of Athens, John Cousen, 18041880, British, after Joseph Mallord William Turner, 17751851, British, 1832, Etching and engraving on medium, slightly textured, beige, wove paper, Sheet: 6 1/16 × 8 11/16 inches (15.4 × 22.1 cm) and Image: 3 3/4 × 5 1/2 inches (9.5 × 14 cm).

alb5083398 Gate of Theseus, Athens, Edward Francis Finden, 17911857, British, after Joseph Mallord William Turner, 17751851, British, 1832, Etching and engraving, third state on medium, slightly textured, beige, wove paper, with cream, chine colle, Sheet: 11 3/4 × 8 5/8 inches (29.8 × 21.9 cm), Plate: 9 1/8 × 6 15/16 inches (23.2 × 17.6 cm), Chine collé: 8 13/16 × 6 9/16 inches (22.4 × 16.7 cm), and Image: 4 1/4 × 3 1/4 inches (10.8 × 8.3 cm).

alb5082715 The Acropolis of Athens, John Cousen, 18041880, British, after Joseph Mallord William Turner, 17751851, British, 1832-1834, Line engraving, engraver's proof on moderately thick, slightly textured, beige, wove paper, with gray, chine colle, Sheet: 11 7/8 × 17 1/4 inches (30.2 × 43.8 cm), Plate: 7 3/16 × 9 13/16 inches (18.3 × 24.9 cm), Chine collé: 6 13/16 × 9 3/8 inches (17.3 × 23.8 cm), and Image: 3 11/16 × 5 1/2 inches (9.4 × 14 cm).

alb5104533 Gate of Theseus, Athens, Edward Francis Finden, 17911857, British, after Joseph Mallord William Turner, 17751851, British, 1832-1834, Line engraving, engraver's proof on thick, slightly textured, cream, wove paper, with gray chine colle, Sheet: 17 3/16 × 11 7/8 inches (43.7 × 30.2 cm), Plate: 9 1/4 × 6 7/8 inches (23.5 × 17.5 cm), Chine collé: 8 7/8 × 6 5/8 inches (22.5 × 16.8 cm), and Image: 4 1/4 × 3 1/4 inches (10.8 × 8.3 cm).

alb4152883 An April Shower: A View from Binsey Ferry Near Oxford, Looking Towards Port Meadow and Godstow. William Turner; English, 1789-1862. Date: 1842. Dimensions: 455 x 685 mm. Watercolor over graphite, with scraping, on cream wove paper. Origin: United Kingdom. Museum: The Chicago Art Institute, Chicago, USA. Author: William Turner.

alb5099793 Ashestiel, Print made by John Horsburgh, 17911869, British, after Joseph Mallord William Turner, 17751851, British, 1834, Line engraving; engraver's proof on medium, slightly textured, cream wove paper with chine-collé.

alb3889154 Gloucester Cathedral. Date/Period: Ca. 1795. Painting. Watercolor. Height: 264 mm (10.39 in); Width: 305 mm (12 in). Author: UNKNOWN ARTIST.

akg329492 Turner, Joseph Mallord William. 1775-1851. "Hastings: Fish Market on the Sands, Early Morning", 1824. Watercolour over pencil heightened with bodycolour & scratching out on wove paper, 44.5 × 66cm. London, Sotheby's. Lot 178, 10/04/97.

akg1134684 Turner, William; 1775-1851. "Returning from the Ball (St. Martha)" (Rückkehr vom Ball (Santa Marta)), 1846. Öl auf Leinwand, 61,6 x 92,4 cm. Der Nation als Vermächtnis des Künstlers zugesprochen, 1856. Museum: Tate Gallery., LONDON.

akg1134696 Venedig-Venezia (Italien), Riva degli Schiavoni.-"Riva degli Schiavoni, Venice: Water Fête" (Die Riva degli Schiavoni, Venedig: Wasserfest).-Gemälde, um 1843/45, von Joseph Mallord William Turner (1775-1851). Öl auf Leinwand, 72,4 x 113 cm. Der Nation als Vermächtnis des Künstlers zugesprochen, 1856. Museum: Tate Gallery., LONDON.

alb3639922 Chatel Argent and the Val d'Aosta from above Villeneuve. Artist: Joseph Mallord William Turner (British, London 1775-1851 London). Dimensions: sheet: 10 1/8 x 12 in. (25.7 x 30.5 cm). Date: 1836. Museum: Metropolitan Museum of Art, New York, USA.

alb3625056 Saltash with the Water Ferry, Cornwall. Artist: Joseph Mallord William Turner (British, London 1775-1851 London). Dimensions: 35 3/8 x 47 1/2 in. (89.9 x 120.7 cm). Date: 1811.This picture is a product of Turner's journey to the west of England in summer 1811 and was exhibited at the artist's private gallery in 1812. Saltash is in Cornwall, across the Tamar River from Devonport and Plymouth. Ruskin described the painting in a letter of 1852 as "what the mind sees when it looks for poetry in humble actual life." The sky is damaged, but the lower half of the painting is well preserved. Museum: Metropolitan Museum of Art, New York, USA.

alb3666810 Whalers. Artist: Joseph Mallord William Turner (British, London 1775-1851 London). Dimensions: 36 1/8 x 48 1/4 in. (91.8 x 122.6 cm). Date: ca. 1845.Turner was seventy years old when Whalers debuted to mixed reviews at the Royal Academy exhibition of 1845. Its subject proved elusive, as the English novelist William Thackeray observed: "That is not a smear of purple you see yonder, but a beautiful whale, whose tail has just slapped a half-dozen whale-boats into perdition; and as for what you fancied to be a few zig-zag lines spattered on the canvas at hap-hazard, look! they turn out to be a ship with all her sails." Apparently Turner undertook the painting--which was returned to him--for the collector Elhanan Bicknell, who had made his fortune in the whale-oil business. Museum: Metropolitan Museum of Art, New York, USA.

akg202620 First English-Dutch War 1652-1654 /. Battle at Dogger Bakn, 6 July 1652. "Van Tromp returning after the Battle off the Dogger Bank". Painting, 1833, by William Turner. (1775-1851). Oil on canvas, 90.5 × 120.6cm. London, Tate Britain. Museum: London, Tate Britain.

akg045387 Turner, William ; 1775-1851. "Paix - Enterrement en mer", 1842. Huile sur toile, H. 0,87 ; L. 0,86. London, Tate Britain. Museum: London, Tate Britain.

akg243702 Turner, William 1775-1851. "Venice: Going to the Ball (San Martino) ", 1846. Oil on canvas, 616 × 924 mm. Inv. No. 544. London, Tate Britain. Museum: London, Tate Britain.

alb3728684 Venice: The Dogana and San Giorgio Maggiore. Dated: 1834. Dimensions: overall: 91.5 x 122 cm (36 x 48 1/16 in.) framed: 125.7 x 156.5 x 14 cm (49 1/2 x 61 5/8 x 5 1/2 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: JOSEPH MALLORD WILLIAM TURNER.

akg201884 Turner, William 1775-1851. Le Déluge, 1805. Huile sur toile, 142 × 235 cm. London, Tate Britain. Museum: London, Tate Britain.

akg3920639 Turner, William 1775-1851. "Der Albaner See". Stahlstich von Robert Wallis nach einem Aquarell von Turner. Aus: The Keepsake for 1829, London 1828.

akg170816 Turner, William. 1775-1851. "Beilstein und Burg Metternich", um 1839. Deck- und Wasserfarbe, 14 × 19,2 cm. London, Tate Britain. Museum: London, Tate Britain.

alb5109030 Smailholme Tower (Vignette), Print made by Edward Goodall, 17951870, British, after Joseph Mallord William Turner, 17751851, British, 1834, Line engraving; late state on medium, slightly textured, cream wove paper.

alb5084357 Sandy Knowe, or Smailholm Tower (Vignette), William Miller, 17961882, British, after Joseph Mallord William Turner, 17751851, British, 1851, Etching and engraving.

akg386364 Regulus, Marcus Atilius ; consul et militaire romain ; mort en 250 av. J.-C. torturé et exécuté par les Carthaginois lors de la 1re guerre punique (264-241 av. J.-C.). ". Regulus". Huile sur toile, 1828/1837, de William Turner (. 1775-1851), 91 × 124 cm. London, Tate Britain. Museum: London, Tate Britain.

akg385834 Turner, William ; 1775-1851. "Snow Storm : Hannibal and his Army crossing the Alps" (Tempête de neige : Hannibal et son armée franchissant les Alpes), 1812. Huile sur toile, H. 1,460 ; L. 2,375. Londres, Tate Britain. Museum: London, Tate Britain.

akg170810 Turner, William. 1775-1851. "The Junction of the Lahn", 1817. Watercolour and opaque colours, 19.6 × 31.4 cm. Private collection.

akg170844 Turner, William. 1775-1851. "Mainz", 1817. Watercolour and opaque colours, 19 × 31.1 cm. Mainz, State Museum. Museum: Mainz, Mittelrheinisches Landesmuseum.

alb5083474 Mercury and Herse, Print made by John Cousen, 18041880, British, after Joseph Mallord William Turner, 17751851, British, 1842, Etching and line engraving; engraver's proof on thick, moderately textured, cream wove paper with cream chine-collé, Sheet: 27 1/2 × 23 inches (69.9 × 58.4 cm), Plate: 24 5/8 × 18 7/8 inches (62.5 × 47.9 cm), Image: 21 1/4 × 18 inches (54 × 45.7 cm), and Chine collé: 18 1/2 × 15 1/8 inches (47 × 38.4 cm), arches, bridges, landscape, men, religious and mythological subject, river, temple, trees, women.

alb5102108 Catania, Sicily, Print made by Joseph Mallord William Turner, 17751851, British, after Joseph Mallord William Turner, 17751851, British, ca. 1825, Mezzotint, printed in black-brown ink, touched in graphite and white chalk, trial proof, Plate: 7 5/8 x 9 15/16 in. (19.3 x 25.2 cm).

alb5102134 Lago Maggiore, W. R. Smith, active 18191851, after Joseph Mallord William Turner, 17751851, British, 1828, Open etching on moderately thick, slightly textured, beige, wove paper, with beige, chine colle, Sheet: 11 15/16 × 17 1/2 inches (30.3 × 44.5 cm), Plate: 6 1/16 × 8 9/16 inches (15.4 × 21.7 cm), Chine collé: 5 13/16 × 8 1/4 inches (14.8 × 21 cm), and Image: 3 1/2 × 5 1/4 inches (8.9 × 13.3 cm).

alb5105530 Loch Lomond, Print made by James Heath, 17571834, British, after Joseph Mallord William Turner, 17751851, British, P Brookes, active 1747, British, 1805, Line engraving, first published state.

alb5106852 The Mew Stone. Entrance of Plymouth Sound, William Bernard Cooke, 17781855, British, after Joseph Mallord William Turner, 17751851, British, 1815, Etching and engraving on thick, moderately textured, cream, wove paper, with chine collé, Sheet: 11 × 16 5/16 inches (27.9 × 41.4 cm), Plate: 8 15/16 × 11 15/16 inches (22.7 × 30.3 cm), Chine collé: 8 7/8 × 11 3/4 inches (22.5 × 29.8 cm), and Image: 6 1/4 × 9 7/16 inches (15.9 × 24 cm).

alb5106793 St. Maurice (vignette), Print made by Robert Wallis, 17941878, British, after Joseph Mallord William Turner, 17751851, British, 1830, Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, Sheet: 17 inches (43.2 cm), Plate: 10 1/4 inches (26 cm), and Image: 2 1/2 × 3 1/2 inches (6.4 × 8.9 cm).

alb5106762 Sheep-Washing, Windsor, Etched by Joseph Mallord William Turner, 17751851, British, after Joseph Mallord William Turner, 17751851, British, between 1813 and 1823, Etching, printed in brown ink Modern impression on medium, slightly textured, cream laid paper, Sheet: 11 1/8 × 17 3/4 inches (28.3 × 45.1 cm), Plate: 8 1/4 × 11 3/8 inches (21 × 28.9 cm), and Image: 7 × 10 1/8 inches (17.8 × 25.7 cm).

alb5102287 The Tower of London, Print made by Thomas Tagg, died 1809, British, after Joseph Mallord William Turner, 17751851, British, 1794, Etching with line engraving on medium, slightly textured, beige wove paper, Sheet: 3 1/4 × 5 1/2 inches (8.3 × 14 cm) and Image: 3 1/4 × 4 1/4 inches (8.3 × 10.8 cm), architectural subject, bailey, keep, man, marine art, mudstone, pool, port, ragstone, river, ship, tower, wharf, England, Greater London, London, Thames, Tower of London, United Kingdom.

alb5103854 Apuleia in Search of Apuleius, Etched by Joseph Mallord William Turner, 17751851, British, Engraved by William Say, 17681834, British, after Joseph Mallord William Turner, 17751851, British, between 1813 and 1823, Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper, Sheet: 11 1/8 × 15 3/4 inches (28.3 × 40 cm), Plate: 8 1/4 × 11 1/2 inches (21 × 29.2 cm), and Image: 7 3/8 × 10 5/8 inches (18.7 × 27 cm), arch, bridge, city, hill, landscape, literary theme, man, Metamorphoses, metamorphoses of male persons into trees, mountain, pillar, religious and mythological subject, river, rock, sheep, shepherdess, sitting, the Apulian shepherd changed into an oleaster: the Apulian shepherd changed into an oleaster as punishment for mocking dancing nymphs (Ovid, Metamorphoses XIV 521), tree, woman, woods.

alb5108460 Coln. Mannering, Hazlewood and Smugglers / Coln. Mannering, Hazelwood et Les Contrebandiers, William Finden, 17871852, British, after Joseph Mallord William Turner, 17751851, British, 1836, Line engraving.

alb5105884 Virginia Water No. 1, Robert Wallis, 17941878, British, after Joseph Mallord William Turner, 17751851, British, 1828-1832, Line engraving, first published state on medium, smooth, cream, wove paper, with gray, chine colle, Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm), Plate: 6 × 8 1/2 inches (15.2 × 21.6 cm), Chine collé: 5 11/16 × 8 1/8 inches (14.4 × 20.6 cm), and Image: 3 11/16 × 5 1/2 inches (9.4 × 14 cm).

alb5104154 Florence from the Chiesa al Monte, Edward Goodall, 17951870, British, after Joseph Mallord William Turner, 17751851, British, 1831, Line engraving, first published state on thick, slightly textured, beige, wove paper, with cream, chine colle, Sheet: 11 5/8 × 17 3/16 inches (29.5 × 43.7 cm), Plate: 5 3/4 × 8 9/16 inches (14.6 × 21.7 cm), Chine collé: 5 1/4 × 8 5/16 inches (13.3 × 21.1 cm), and Image: 3 1/16 × 4 5/8 inches (7.8 × 11.7 cm).

alb5104144 Crowhurst, Print made by Joseph Mallord William Turner, 17751851, British, after Joseph Mallord William Turner, 17751851, British, between 1813 and 1823, Etching, printed in brown ink on medium, slightly textured, cream wove paper, Sheet: 11 3/8 × 14 7/8 inches (28.9 × 37.8 cm), Plate: 8 3/8 × 11 1/4 inches (21.3 × 28.6 cm), and Image: 7 3/8 × 10 1/2 inches (18.7 × 26.7 cm).

alb5105904 Patterdale, James Heath, 17571834, British, after Joseph Mallord William Turner, 17751851, British, Print made by James Heath, 17571834, British, 1805, Line engraving, first published state.

alb5104737 Richmond, Yorkshire, W. R. Smith, active 18191851, after Joseph Mallord William Turner, 17751851, British, 1819, Etching and line engraving on moderately thick, slightly textured, cream, wove paper, with cream, chine colle, Sheet: 12 3/16 × 18 3/8 inches (31 × 46.7 cm), Plate: 11 1/4 × 17 1/2 inches (28.6 × 44.5 cm), Chine collé: 11 1/4 × 17 1/4 inches (28.6 × 43.8 cm), and Image: 7 9/16 × 10 11/16 inches (19.2 × 27.1 cm).

alb5106166 Buckfastleigh Abbey, Devonshire, Robert Wallis, 17941878, British, after Joseph Mallord William Turner, 17751851, British, 1827, Line engraving, engraver's proof on thick, slightly textured, cream, wove paper, with beige, chine colle, Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm), Plate: 5 7/16 × 7 1/2 inches (13.8 × 19.1 cm), Chine collé: 5 1/4 × 7 1/4 inches (13.3 × 18.4 cm), and Image: 2 15/16 × 4 3/16 inches (7.5 × 10.6 cm).

alb5108324 Plymouth, Devonshire, William John Cooke, 17971865, Irish, after Joseph Mallord William Turner, 17751851, British, 1832, Line engraving, 1st state on thick, slightly textured, cream, wove paper, with cream, chine colle, Sheet: 12 7/16 × 15 11/16 inches (31.6 × 39.8 cm), Plate: 10 1/16 × 11 13/16 inches (25.6 × 30 cm), Chine collé: 9 11/16 × 11 9/16 inches (24.6 × 29.4 cm), and Image: 6 7/16 × 9 1/4 inches (16.4 × 23.5 cm), bay (body of water), cityscape, genre subject, picnic, Devon, Plymouth.

alb5105011 Newbury From Speen Hill, Print made by William Byrne, 17431805, British, after Joseph Mallord William Turner, 17751851, British, Published by William Byrne, 17431805, British, 1805, Etching and line engraving.

alb5102446 Aysgarth Force, John Scott, 17741828, British, after Joseph Mallord William Turner, 17751851, British, 1818-1823, Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream, wove paper, with cream, chine colle, Sheet: 9 1/16 × 12 3/16 inches (23 × 31 cm) and Image: 7 9/16 × 10 7/8 inches (19.2 × 27.6 cm).

alb5104552 A View of Oxford from the Abingdon Road, Print made by John Pye, 17821874, British, Figures by Charles Heath, 17851848, British, after Joseph Mallord William Turner, 17751851, British, Published by James Wyatt, active 18111834, British, 1818, Etching and line engraving; first published state on moderately thick, slightly textured, cream wove paper with cream chine-collé, Sheet: 23 1/8 × 34 7/8 inches (58.7 × 88.6 cm), Plate: 20 × 25 3/4 inches (50.8 × 65.4 cm), Chine collé: 19 1/4 × 25 1/4 inches (48.9 × 64.1 cm), and Image: 15 7/8 × 23 3/4 inches (40.3 × 60.3 cm).

alb5107982 The Golden Bough, Print made by unknown artist, nineteenth century, after print by Thomas Abiel Prior, 18091886, British, Formerly attributed to Robert Brandard, 18051862, British, after Joseph Mallord William Turner, 17751851, British, undated, Line engraving.

alb5099848 Dustanborough Castle, Edward Swinburne, 17651847, after Joseph Mallord William Turner, 17751851, British, undated, Watercolor over graphite with scraping-out on medium, slightly textured, cream laid paper mounted to thick, slightly textured, beige card, Sheet: 12 1/4 × 16 7/8 inches (31.1 × 42.9 cm), architectural subject, beach, boats, castle, cliffs, marine art, rocks (landforms), sea, seashores, ships, shores (landforms), waves.

alb5091588 Westminster Bridge, Print made by James Walker, 17481808, British, after Joseph Mallord William Turner, 17751851, British, 1797, Etching with line engraving on medium, slightly textured, cream wove paper, Sheet: 6 5/8 × 8 7/8 inches (16.8 × 22.5 cm), Plate: 5 7/8 × 8 1/8 inches (14.9 × 20.6 cm), and Image: 4 3/8 × 6 5/8 inches (11.1 × 16.8 cm), abbey, boat, bridge, city, man, marine art, parliament, river, rowboat, rowing, sailboat, woman, England, Greater London, London, Thames, United Kingdom, Westminster, Westminster bridge.

alb5096748 Solitude, Etched by Joseph Mallord William Turner, 17751851, British, after Joseph Mallord William Turner, 17751851, British, 1814, Etching on medium, slightly textured, cream wove paper, Sheet: 11 1/2 × 17 1/8 inches (29.2 × 43.5 cm), Plate: 8 1/4 × 11 3/8 inches (21 × 28.9 cm), and Image: 7 × 10 1/8 inches (17.8 × 25.7 cm).

alb5095670 Gibraltar, Print made by Edward Francis Finden, 17911857, British, drawn by Joseph Mallord William Turner, 17751851, British, after sketch by George Philip Reinagle, ca.18021835, British, 1832-1834, Line engraving 1st published state on moderately thick, moderately textured, beige, wove paper, with gray chine colle, Sheet: 11 3/4 × 16 13/16 inches (29.8 × 42.7 cm), Plate: 6 3/4 × 9 1/4 inches (17.1 × 23.5 cm), Chine collé: 6 7/16 × 8 7/8 inches (16.4 × 22.5 cm), and Image: 3 5/8 × 5 9/16 inches (9.2 × 14.1 cm).

alb5098790 A Village Fair, Edward Alfred Goodall, 18191908, British, after Joseph Mallord William Turner, 17751851, British, 1834, Line engraving on moderately thick, slightly textured, cream, wove paper, with gray, chine colle, Sheet: 16 15/16 × 11 7/8 inches (43 × 30.2 cm), Plate: 11 1/2 × 5 7/8 inches (29.2 × 14.9 cm), Chine collé: 11 1/8 × 5 5/8 inches (28.3 × 14.3 cm), and Image: 3 1/2 × 3 1/2 inches (8.9 × 8.9 cm).

alb5096250 The Deluge, Engraved by Joseph Mallord William Turner, 17751851, British, after Joseph Mallord William Turner, 17751851, British, between 1813 and 1823, Mezzotint; modern impression on moderately thick, slightly textured, cream wove paper, Sheet: 11 3/8 × 15 1/4 inches (28.9 × 38.7 cm), Plate: 8 7/8 × 11 3/4 inches (22.5 × 29.8 cm), and Image: 7 7/8 × 10 7/8 inches (20 × 27.6 cm), cave, cliff, death, destruction, dog, elephant (animal), flood, giraffe, horse, lightning, man, praying, rain, religious and mythological subject, storm, the flood and destruction of mankind ~ story of Noah (Genesis 7:10 - 8:17), tidal wave, tree, water, woman.

alb5098874 A View of Oxford from the Abingdon Road, Print made by John Pye, 17821874, British, Figures by Charles Heath, 17851848, British, after Joseph Mallord William Turner, 17751851, British, Published by James Wyatt, active 18111834, British, 1818, Etching; open etched state on moderately thick, slightly textured, cream wove paper with cream chine-collé, Sheet: 22 1/2 × 28 1/2 inches (57.2 × 72.4 cm), Plate: 20 × 25 7/8 inches (50.8 × 65.7 cm), Chine collé: 19 1/4 × 24 5/8 inches (48.9 × 62.5 cm), and Image: 11 × 23 3/4 inches (27.9 × 60.3 cm).

alb5099203 Nantes, James T. Willmore, 18001863, British, after Joseph Mallord William Turner, 17751851, British, 1828-1837, Line engraving, engraver's proof on moderateny thick, slighlty textured, cream, wove paper, with beige, chine colle, Sheet: 9 1/4 × 13 inches (23.5 × 33 cm), Plate: 6 1/16 × 8 9/16 inches (15.4 × 21.7 cm), Chine collé: 5 3/4 × 8 1/4 inches (14.6 × 21 cm), and Image: 3 7/16 × 5 1/8 inches (8.7 × 13 cm).

alb5099967 Florence, from the Chiesa al Monte, George Cooke, 17811834, British, after Joseph Mallord William Turner, 17751851, British, 1820, Etching and line engraving on medium, slightly textured, cream, wove paper, Sheet: 10 1/2 × 14 1/2 inches (26.7 × 36.8 cm), Plate: 9 × 12 inches (22.9 × 30.5 cm), and Image: 5 1/2 × 8 11/16 inches (14 × 22.1 cm), arch, basilica, bridge, building, cityscape, infant, kneeling, lute, man, mountain, priest, religious and mythological subject, river, sitting, staff, tower, tree, water, woman, Arno, Firenze, Firenze, Italia, Ponte Vecchio, San Miniato al Monte, Toscana.

alb5095830 Cortes and Pizarro, Edward Alfred Goodall, 18191908, British, after Joseph Mallord William Turner, 17751851, British, 1834, Open etching on moderately thick, slightly textured, beige, wove paper, with cream, chine colle, Sheet: 11 7/8 × 8 5/16 inches (30.2 × 21.1 cm), Plate: 11 1/2 × 6 inches (29.2 × 15.2 cm), Chine collé: 11 1/8 × 5 13/16 inches (28.3 × 14.8 cm), and Image: 4 × 3 1/4 inches (10.2 × 8.3 cm).

alb5095947 Paestum, Print made by Joseph Mallord William Turner, 17751851, British, after Joseph Mallord William Turner, 17751851, British, ca. 1825, Mezzotint; engraver's proof (a), Sheet: 6 x 8 1/2in. (15.2 x 21.6cm).

alb5095912 Laugharne Castle, John Horsburgh, 17911869, British, after Joseph Mallord William Turner, 17751851, British, 1833, Line engraving, 1st state on thick, slightly textured, cream, wove paper, with cream, chine colle, Sheet: 9 5/16 × 11 7/8 inches (23.7 × 30.2 cm) and Image: 6 11/16 × 9 7/16 inches (17 × 24 cm).

alb5099702 Rochester, Print made by James Walker, 17481808, British, Print made by James S. Storer, 17711853, British, after Joseph Mallord William Turner, 17751851, British, 1794, Line engraving on medium, slighty textured, cream wove paper, Sheet: 7 × 10 1/2 inches (17.8 × 26.7 cm), Plate: 6 × 8 inches (15.2 × 20.3 cm), and Image: 4 1/4 × 6 1/2 inches (10.8 × 16.5 cm), agriculture, anchor, arch, boat, bridge, cane, castle, cathedral, church, city, clouds, distant view, field, hill, keep, landscape, man, marine art, Norman, river, spire, stone, tower, tree, water, woman, England, Kent, River Medway, Rochester, Rochester Castle, Rochester Cathedral, United Kingdom.

alb5111754 Christ Church College, Oxford, James Redway, active 18271838, after Joseph Mallord William Turner, 17751851, British, 1834, Etching and engraving, 3rd state on moderately thick, smooth, beige, wove paper, Sheet: 11 × 14 11/16 inches (27.9 × 37.3 cm), Plate: 9 3/4 × 12 1/2 inches (24.8 × 31.8 cm), and Image: 6 5/16 × 9 inches (16 × 22.9 cm), architectural subject, boy, brick, builder, building, carriage, cityscape, cloud, college, crowd, dog, hammer, horse, kite, ladder, man, religious and mythological subject, street, university, wood, Christ Church College, England, Oxford, Oxfordshire, United Kingdom, University of Oxford.

alb5112051 A Garden, William Miller, 17961882, British, after Joseph Mallord William Turner, 17751851, British, 1834, Etching and engraving, 1st state on moderately thick, slightly textured, cream, wove paper, with gray, chine colle, Sheet: 11 1/2 × 6 5/8 inches (29.2 × 16.8 cm), Chine collé: 11 3/16 × 5 7/8 inches (28.4 × 14.9 cm), and Image: 3 1/2 × 3 1/2 inches (8.9 × 8.9 cm).

alb5110951 Dido and Aeneas; The Morning of the Chase, Print made by W. R. Smith, active 18191851, after Joseph Mallord William Turner, 17751851, British, 1842, Etching and line engraving with graphite; engraver's proof (a), touched on thick, slightly textured, cream wove paper with cream chine-collé, Sheet: 21 1/8 × 28 1/8 inches (53.7 × 71.4 cm), Chine collé: 20 3/8 × 27 3/4 inches (51.8 × 70.5 cm), and Image: 16 1/8 × 24 1/8 inches (41 × 61.3 cm), arches, bridges, buildings, cityscape, columns, horses (animals), landscape, men, religious and mythological subject, river, spears, trees, vegetation, women.

alb5111816 Dumbarton Rock, Etched by Joseph Mallord William Turner, 17751851, British, Engraved by Thomas Goff Lupton, 17911873, British, after Joseph Mallord William Turner, 17751851, British, between 1813 and 1823, Etching and mezzotint, printed in brown ink on moderately thick, slightly textured, cream laid paper, Sheet: 11 1/2 × 16 7/8 inches (29.2 × 42.9 cm), Plate: 8 3/4 × 10 1/2 inches (22.2 × 26.7 cm), and Image: 7 3/4 × 10 1/2 inches (19.7 × 26.7 cm).

alb5110339 Moss Dale Fall, Samuel Middiman, ca. 17501831, British, after Joseph Mallord William Turner, 17751851, British, 1822, Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream, wove paper, with cream, chine colle, Sheet: 9 1/2 × 12 3/4 inches (24.1 × 32.4 cm) and Image: 7 1/2 × 10 5/8 inches (19.1 × 27 cm).

alb5111295 Warwick Castle, Warwickshire, Robert Wallis, 17941878, British, after Joseph Mallord William Turner, 17751851, British, 1827-1838, Line engraving, engraver's proof, architectural subject, bridge (built work), castle, landscape, river, Avon, England, United Kingdom, Warwick, Warwick Castle, Warwickshire.

alb5110487 Frontispiece to Mr. Fawkes Catalogue, Frederick Christian Lewis the Elder, 17791856, British, after Joseph Mallord William Turner, 17751851, British, 1820, Soft-ground etching, and engraving on thin, smooth, beige, chine colle, mounted on, thik, smooth, white, wove paper, Mount: 11 3/8 × 9 1/16 inches (28.9 × 23 cm) and Chine collé: 9 1/2 × 6 7/8 inches (24.1 × 17.5 cm).

akg385770 Turner, William (Joseph Mallord W.) ; 1775-1851. "Le col du Saint-Gotthard", v. 1803/04. Huile sur toile, H. 0,806 ; L. 0,642. Inv. Nr. 1935P198. Birmingham, City Museum and Art Gallery. Museum: Birmingham, City Museum and Art Gallery.

alb2037664 Joseph Mallord William Turner / 'Bridge of Sighs, Ducal Palace and Custom-House, Venice: Canaletto with easel in the left foreground', 1833, Oil on mahogany, 51 x 81.6 cm. Museum: The Tate Gallery, BERLIN, UK.

alb3652137 Aesacus and Hesperie, Vide Ovid Metamorphosis, Book XI (Liber Studiorum, part XIII, plate 66). Artist and publisher: Joseph Mallord William Turner (British, London 1775-1851 London). Dimensions: plate: 7 1/16 x 10 3/16 in. (17.9 x 25.9 cm)sheet: 8 5/16 x 11 1/2 in. (21.1 x 29.2 cm). Date: January 1, 1819.Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. In a few instances he also developed the tone, here adding mezzotint to evoke a wooded landscape centered on the water nymph Hesperia, watched drying herself on a river bank by Aesacus, a prince of Troy. The Ovidian theme ties the imag to poetry, and Turner weaves arborial layers, slanted rays of sun, and dappled shadows into a kind of magic naturalism. The letter "H" in the upper margin indicates the artist's category of Historical landscape. Museum: Metropolitan Museum of Art, New York, USA.

alb3907575 High Street, Oxford. Painting. Canvas and oil. Height: 68.5 cm (26.9 in); Width: 100.3 cm (39.4 in). Author: J. M. W. Turner.

alb3907780 Ulysses deriding Polyphemus. Date/Period: 1829. Painting. Oil on canvas. Height: 132.5 cm (52.1 in); Width: 203 cm (79.9 in). Author: J. M. W. Turner.

alb3907746 Sun Rising through Vapour, Fishermen Cleaning and Selling Fish. Date/Period: 1807. Painting. Oil on canvas. Height: 134.5 cm (52.9 in); Width: 179 cm (70.4 in). Author: J. M. W. Turner.

alb3907824 Quillebeuf, embouchure de la Seine. Quillebeuf, Mouth of the Seine. Painting. Huile sur toile. Height: 91.5 cm (36 in); Width: 123.2 cm (48.5 in). Author: J. M. W. Turner.

alb3667276 The Goddess of Discord in the Garden of the Hesperides, from "lllustrated London News". Artist: After Joseph Mallord William Turner (British, London 1775-1851 London). Dimensions: Image: 9 3/16 × 13 7/16 in. (23.4 × 34.2 cm)Sheet: 9 13/16 × 13 3/4 in. (25 × 35 cm). Draftsman: After drawing by Edmond Morin (French, Le Havre 1824-1882 Sceaux). Engraver: Henry Linton (British, London 1815-1899). Date: January 31, 1857.This wood engraving reproduces a painting of 1806 by J.M.W. Turner, now at Tate Britain. The Goddess of Discord has entered the Garden of the Hesperides (in Greek myth, the Hesperides were daughters of the Evening Star Herperus, and lived at the western edge of the world, guarding golden fruits that grant immortality). In this image, a nymph gives apples to a cloaked figure who will use their powers for ill (one is later given to Paris, who awards it to Aphrodite and precipitates the Trojan War). A guardian dragon lying on a distant cliff has failed to alert the nymphs to the danger. Museum: Metropolitan Museum of Art, New York, USA. Author: After Joseph Mallord William Turner.

ibxsuc09148864 The Dogana and San Giorgio Maggiore, Venice, Italy, 1834, after a painting by Joseph Mallord William Turner, Historic, digitally restored reproduction from an 18th or 19th century original, Europe

alb9656425 Joseph Mallord William Turner / Calais Sands at Low Water: Poissards Collecting Bait. Museum: Bury Art Museum, MANCHESTER, UK.

alb5109639 High Street, Oxford, Print made by Samuel Middiman, ca. 17501831, British, after Joseph Mallord William Turner, 17751851, British, Published by James Wyatt, active 18111834, British, 1811, Etching; open etched state on medium, slightly textured, cream wove paper, Sheet: 23 3/8 × 35 inches (59.4 × 88.9 cm), Plate: 19 3/4 × 25 7/8 inches (50.2 × 65.7 cm), and Image: 14 3/4 × 23 7/8 inches (37.5 × 60.6 cm).

alb5080825 Apuleia in Search of Apuleius, Etched by Joseph Mallord William Turner, 17751851, British, after Joseph Mallord William Turner, 17751851, British, between 1813 and 1823, Etching, printed in brown ink Modern impression, canceled plate on medium, slightly textured, cream wove paper, Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm), Plate: 8 1/4 × 11 1/2 inches (21 × 29.2 cm), and Image: 7 1/4 × 10 5/8 inches (18.4 × 27 cm), arches, bridges, buildings, field, figures, livestock, trees, women.

alb5103974 Shields Lighthouse, Print made by Joseph Mallord William Turner, 17751851, British, after Joseph Mallord William Turner, 17751851, British, 1820 to 1826, Mezzotint; engraver's proof b, Sheet: 5 15/16 x 8 3/8in. (15.1 x 21.3cm).

alb5103953 Heysham and Cumberland Mountain, W. R. Smith, active 18191851, after Joseph Mallord William Turner, 17751851, British, 1818-1823, Line engraving and etching, engraver's proof on moderately thick, moderately textured, cream, wove paper, with cream, chine colle, Sheet: 13 1/4 × 19 5/8 inches (33.7 × 49.8 cm), Plate: 10 15/16 × 16 15/16 inches (27.8 × 43 cm), Chine collé: 10 7/8 × 16 13/16 inches (27.6 × 42.7 cm), and Image: 7 1/2 × 10 3/4 inches (19.1 × 27.3 cm).

alb5100979 The Temple of Jupiter in the Island of Aegina, Attributed to Joseph Mallord William Turner, 17751851, British, Attributed to Henry Dawe, 17901848, British, Drawn by Joseph Mallord William Turner, 17751851, British, after Henry Gally Night, active ca. 1810, British, between 1813 and 1823, Etching, printed in brown ink on medium, slightly textured, cream wove paper, Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm), Plate: 8 3/8 × 11 1/4 inches (21.3 × 28.6 cm), and Image: 7 3/8 × 10 5/8 inches (18.7 × 27 cm).

alb5107876 Captivity, Edward Alfred Goodall, 18191908, British, after Joseph Mallord William Turner, 17751851, British, 1834, Line engraving, engraver's proof on medium, smooth, beige, wove paper, mounted on thick, slightly textured, cream, wove paper, Mount: 16 15/16 × 12 1/8 inches (43 × 30.8 cm), Sheet: 11 5/8 × 6 3/8 inches (29.5 × 16.2 cm), Plate: 11 3/8 × 6 1/8 inches (28.9 × 15.6 cm), and Image: 3 1/2 × 3 1/4 inches (8.9 × 8.3 cm).